“Beauty is truth, truth beauty,–that is all
Ye know on earth, and all ye need to know.”
John Keats, Ode to A Grecian Urn
It’s been mad-busy on my end. As if the very Fates conspire against me, a vast number of the Blogcritics review material I’d been assigned started to arrive this fortnight.
It’s not left me a good deal of time to review beauty products, sadly. However, now I have a good reason to knuckle down and do so.
This is dedicated to a friend of mine in Greece (in case you didn’t guess by the title), a lady who is a supreme fragrance addict, and also a lover of naturally sourced skincare like my good self. Like my geographically closer fragrance addict writer-pal, she too seems extremely eloquent when divulging the secrets of scents.
It’s hard to be an artist, sometimes, I fear. One would think “beauty addicts? again?! geez, spend your money on something that matters! Sheesh.” and to an extent you’d be right. However, as I grow more comfortable with the notion of being an adult, it seems that it is my desire and enjoyment in regards to the five senses that fuels my consumerism. Again, to an extent.
As can music and literature take you to places you’ve never been to, so can fragrance and colour. I think this too might explain my worship of the bath ritual.
Anyway, this is supposed to be a tribute to my dear Greek friend, who has had some personal tragedies very sadly, but remained strong and inspiring – especially so in regards to my own fight to stay mentally stable. The unadulterated joy that fragrance gives her is infectious.
An awfully long time ago, she sent me a treasure trove of vials, filled with perfumes of all sorts. She knows that I’m something of a gardenia/orchid whore, and I was sent things that would appeal to me. Three strike me as unforgettable: Guerlain’s Vol de Nuit, Serge Lutens’ Bois de Violette, and Guerlain’s Flora Nerolia.
Vol de Nuit is everything that I am not, in my day-to-day life: elegant, refined, polished, sophisticated. It’s a classic fragrance and it instantly makes me feel more poised, as if I too could be those things that the scent conjures. I finished the sample at least half a year ago yet I recall its scent instantly – powdery, slightly floral, sparkling like champagne.
Bois de Violette is also of similar ilk. But where Guerlain is what you would wear when decked out for a night at the opera, Violette is wearable in the daytime. This is my favourite springtime fragrance. It brings very fond memories because of the lady in question, and also because my other dear fragrance pal (author of The Fragrant Elf, as above) was horrendously kind enough to purchase me the bell jar eau de parfum in Paris – the very capital of fragrance! She could have charged me a fortune for the trouble, but no – she did not.
Flora Nerolia I tried perhaps a month ago and it was lust at first whiff. It is the fragrance out of this trio that most obviously screams “me” – it’s sexy, heady and exotic. I don’t necessarily mean I’m any of those things – but those are my instant loves in fragrance: orchids, or what I call “sex florals” – those pungent, tropical, overwhelmingly glorious scents that threaten to spin your senses into a swoon…it’s one step short of being putrid – like the scent of a skunk: offensive, pure pheremone.
When reading Anthony Burgess’ wonderful introduction to the works of James Joyce entitled Here Comes Everybody, I was introduced to another line of John Keats’:
“For the apple dies in sweetness, but I do not.”
As an orchid reaches its most pungent it alerts us that it is dying. As an apple reaches its sweetest, it too is perishing. What of this human shell of ours, the body? It takes so long to reach its full bloom, and it disappears so quickly.
And so we turn to art in hope that we may die in sweetness too, in thought if not in body.